The music form of «Sarki» from Instanbul in pre-war rebetiko

Coordination: Evgenios Voulgaris

25 - 31 August


  WORKSHOP IS FULL  


Duration: 30 Hours
Timeline: 11.00 – 14.00 & 17.00 – 20.00
Language: English, Greek





Songs, from the repertoire of the pre-war rebetiko which follow or are clearly influenced by the form of Sarki from Instanbul, will be taught and interpreted.

These are songs that either belonged to the repertoire of Constantinople music and were adapted with the replacement of Turkish lyrics by Greek, or composed by rebetiko composers who knew the form and were aware of the use of the makam, as the form is closely related.

Thus, through the modal analysis of the songs that will be taught, the finding of the practical meaning of the makam will be attempted in order to gain a deeper understanding of the specific music tradition and to further use it in improvisation - taxonomy. The seminar is aimed at anyone who plays instruments used in the rebetiko including voice after song - and he/ she is interested in the particular musical genre or understanding of the concept and use of makam, given its use in the composition and interpretation of other musical traditions that have similar tropical logic.

Scores will be used, however, without excluding participants with an auditory ability.







cv voulgaris 2020
Evgenios Voulgaris
www.facebook.com/voulgaris.evgenios

He started his music training in 1985 studying Byzantine music and received his Diploma in Byzantine Music with Honors. He has participated in a series of concerts in Greece and abroad, as well as in recordings of Greek Composers’ works. He has also taken part in recordings made for Radio (3d program), TV channels and the cinema. From 1995 he is the leading mandolinist of the Orchestra of Colors.
His interest in traditional music started in 1992 and took the form of apprenticeship next to Christos Tsiamoulis. For the last seven years, he has been teaching in the Municipal Conservatory of Patras in the Department of Greek Music, in which he also holds the position of the Head. During the same time – more specifically from 1992- he has been leading the School of Traditional Instruments which operates under the auspices of Ilia’s Church in Pyrgos and Amaliada. His appointment in the Bartholomeo and Patras Musical Schools can also be included in his teaching experience, along with his more recent appointment (starting in March 2005) in the Department of Popular and Traditional Music (Epirus Technological Institute), where he teaches the oud, yayli tambur, organology, and ensembles.
From 2001 until today he has been attending lessons on the interpretation of eastern music’s tropes next to Fahrettin Cimenli and Murat Aydemir in Istanbul. At the same time, he has been attending a series of seminars on oud, saz, afghani rabab, as well as composition and orchestration in the context of the “Labyrinth” Musical Workshops organized in Houdetsi.
In April 2000 he founded the ensemble ‘Romioi’, which has won excellent critics for its performances of Ottoman Music in various places (Patras, Athens, Simi, Catelorizo, Messologi). Recently and in cooperation with Markos Skulios, Tolis Tsardakas and Panos Poulos founded the Ensemble of the Workshop of Eastern Music in the Department of Popular and Traditional Music.
His CD entitled “Wanderings” (in cooperation with the singer Dora Petridis) has been in circulation from the beginning of May 2004. His compositions include music for theatre (‘’ The History of a captive”, ‘’Staxtomazoxtra’) and “The Message of the Prince” (with Christos Galanopoulos). In 2007 he published (in cooperation with Vassilis Vantarakis) a collection of 200 rebetika songs of the Inner War Period transcribed in the modal system. The collection was published by Fagotto Editions (incorporation with the Department of Popular and Traditional Music (Technological Institute of Epirus).